Katharina Grosse most recent establishment rises above the limits of the Hamburger Bahnhof – Museum für Gegenwart as it ejects into a rambling kaleidoscope. From varicolored floods inside to the tremendous compositions on the ground and close by open air dividers, “It Wasn’t Us” is an extensive craftsmanship on the site of a previous railroad building. As guests stroll all through the work, the theoretical structures swell in different ways, making another visual at each edge. “I painted out of the structure,” Grosse said about the site-explicit undertaking.
Katharina Grosse vivid canvas unites hues and structures, regular and man-made environmental factors and its guests as members in a comprehensive blend of tints. the limits among objects, and among even and vertical directions start to soften away, and the work’s scale consistently moves relying upon the guest’s position. subsequently, as the watcher travels through the composition new spaces develop.